Writing on Father’s Day … some memories of my late dad’s influence on my musical education:
My dad was a research scientist who worked on developing a battery for a prototype electric car in the 1960s and 70s. It was shown on TV on ‘Tomorrow’s World’. He was meant to drive it on to the set but dropped out at the last minute because he was too shy. We all sat round the TV and were so disappointed when someone else drove on instead, especially as I’d told all my friends to watch. He later told us he had been worried that the car might stall and the thought of the impending embarrassment had held him back. He asked one of his colleagues to take his place. I know that feeling – should I attempt the solo part I have been offered or ask someone else play it?
My dad, a scientist; my mum, a dancer/teacher: I’ve always credited my mum for encouraging my love of music and wrote about it here (Thank you for the Music, Mum) but I came to know and love many of the classics because of my dad. He listened to the BBC ‘third programme’ which played music by the ‘great’ composers: overtures, concertos and symphonies by Beethoven, Mozart and Haydn (amongst others) every day. Orchestral sounds, dramatic rhythms and (what soon became) well-known melodies drifted around the house. He not only listened on his home-made valve wireless but also had music playing in the car. He gave me a lift every school day, car radio turned up and when I heard something I really liked, I was in danger of making myself late by staying to listen to the end. I first heard Brahms’ second piano concerto in the car. I was stunned by the beauty of the cello solo melody that opens the second movement and recurs throughout. I’d never heard of a cello solo in a piano concerto before. I really didn’t want to get out of the car that morning. Next birthday, my dad gave me a double LP of both Brahms piano concertos and I listened over and over to that movement.
Listening to it now, I find it such a sad, nostalgic sounding melody, I wonder at my teenage self sometimes!
Symphonies and piano concertos were one thing but there was another type of music where my dad’s enthusiasm left me cold. That was opera. I was never a fan. It didn’t help that the first one he took me to as a young teenager was La Belle Hélène by Offenbach. I didn’t like the warbly voices, couldn’t make out the lyrics and couldn’t follow the plot. Worst of all, confirming my annoyance at being there, the leading lady began to strip off revealing her corset and bloomers! I was mortified and excruciatingly embarrassed. The whole experience put me off opera for years. When I was clearing out my dad’s house, what did I find in the attic? An LP of La Belle Hélène with the leading lady there on the front in her corset! My dread came flooding back!