The Twelve Tones of Christmas

I’ve been meaning to write about twelve-tone compositional technique for ages but heh, it’s Christmas so I’ll leave that for another day.

Instead, a bit of a musical joke – before you rush back to the washing up, do listen to this. If it doesn’t freak you out, keep listening to the end.

I’m looking forward to bringing you my post on twelve-tone music sometime next year! Happy Christmas!

Mementos in Music and Dance

Remembering my mum on her birthday.

From a young age, my mum had a passion for dance. Ballet and tap had transformed her life at the age of four and by her late teens she was teaching at Stella Mann’s Dance School in Hampstead, London. Her ideal ballerina was Margot Fonteyn who was the most wonderful dancer she had ever seen. According to Mum, it was Margot’s musicality and expressiveness that made her dancing so compelling. She was always perfectly at one with the music and when dancing on ‘points’ she was elegant, appearing at times, to float across the stage. She made it seem effortless.

Aged just eight, at the beginning of the second world war, my mum was evacuated to her Aunt’s home, an old farmhouse on a hillside in Yorkshire. She was frightened and homesick being away from her parents and older sister and after eighteen long months, she was relieved to return to her home in London. Although she felt safer, she had come home to air raids and slept under a Morrison shelter, and a few years on, she lost her father to a heart attack, in 1943. Her mother was the epitome of keeping cheerful and carrying on and so they did. And Mum had music and dance to keep her going, she talked of rushing off to choir rehearsals before school and of stopping to dance in an empty shop on her way home. And she told us how they danced for joy at the end of the war, joining the street party. During her late teens and early twenties, her experience of the cultural events that were suddenly springing up in a newly optimistic postwar London, was intense and unforgettable and she admitted to being ‘star struck’. She loved music, film, theatre and poetry, with an enthusiasm that remained throughout her life.

Whenever I’m in London, I visit the Southbank Centre and think of my mum’s visits there when it was newly built for the Festival of Britain in 1951. And when I hear a particular piece of music or see a film that she loved, I think how much she enjoyed it and I appreciate it all the more.

One of the CDs Mum had asked me to get for her in her latter years was of the music by Benjamin Britten for the ballet The Prince of the Pagodas so I think she would have loved this clip from the ballet. The choreography is by Kenneth MacMillan, whose work she adored, and the wonderful dancers in this pas de deux are Darcey Bussell and Jonathan Cope.

Mum admired Darcey Bussell and we both enjoyed watching the programmes she made about dances from Hollywood musicals (which Mum had enjoyed in her youth). In these clips she recreates the dances from the Puttin’ on the Ritz and Singing in the Rain.

This last one is full of optimism, silliness and fun, a great way to remember the good times.

A Song from my Childhood

Listen with Liv: where I share my musical choice of the month.

December is traditionally a time of year for many families to get together and for me that means reminiscing about a time when we had large gatherings with lots of great-aunts and uncles and two sittings for dinner. Looking back, we (my siblings and cousins) were often asked to perform for the grown ups – sing a song or play the piano. I was happy to play for my grandma who always gave me a shilling afterwards but most of us were a bit too shy in front of all the relatives and preferred when they sang or played for us. One of the songs the grown ups sang for us to dance to, when we were little, was Dance to your Daddy. Why this song I am not sure, as we have no connection with fishing, as far as I know, though my maternal grandmother’s family did come from Whitby, a fishing town on the north east coast of England. 

I love this brilliant version of the song, with fiddle and guitar, by award winning duo: Nancy Kerr and James Fagan. It was recorded at Bath Folk Festival in 2013 and is my choice this month for Listen with Liv.