Oranges and Lemons

St Clement Danes

Oranges and Lemons, say the Bells of St Clement’s

I could hear the bells of St Clement Danes, from two streets away, as I rushed across town towards it. One of two London churches that claim to be the St Clement’s mentioned in the nursery rhyme, this one is on the Strand, not far from the Royal Courts of Justice. As I turned the corner into the famous street, I was almost overwhelmed by the full volume of the bells’ glorious pealing. Was it a special occasion? It was for those taking part: the Ladies’ Guild of Change Ringers, including my old school friend, Chris. 

She had travelled from Lancashire, to join the ringing of four ‘quarter peals’ on these finely tuned bells. As the final quarter peal came to an end, I dashed up the narrow spiral steps of the bell-tower, forgetting my fear of heights. Part way up, feeling dizzy, I held on to the adjacent stone walls and kept climbing.

Up there, was a room with commemorative plaques all around the walls, long loops of rope hanging down round a central space. I looked up to see … a high ceiling with holes where the ropes passed through. I was disappointed. I had expected to see bells. But of course that would have been deafening for the bell ringers. Chris, who is of quite small build, showed me how she stood to pull the ropes with both hands held aloft. I imagined the gigantic bells in the tower above that ceiling. Does she ever get arm-ache? “Not really” Chris explained, “because once you are ringing, the momentum of the bell swinging carries it round.”

Listening to the constantly changing sequence of notes, (known as change ringing) I had tried to work out the pattern but couldn’t detect any semblance of order. When I asked Chris how she knows when to ring, she showed me on her phone: pages and pages of row after row of numbers. It was like the book of logarithms we used to have at school.

“Each bell has a number. You don’t have to remember all the numbers though, you just have to memorise where your number comes in the sequence.”

Chris went on to explain that the bells were rung in a different sequence every time – for a full peal that’s until you have rung every possible order. It works out at five thousand and forty for a full peal. No wonder it takes so long to ring … several hours! The quarter peal has a quarter of that: one thousand two hundred and sixty different sequences.

“We have a conductor to help us if needed but it’s really your responsibility to keep yourself right. If anyone does ring out of sequence, that’s not a proper peal. So we all help each other.”

I had noticed on one of the plaques, that the bells of St Clement Danes had been damaged in the Blitz and recast in the Whitechapel Bell foundry in 1955. This foundry that had cast Big Ben and had been manufacturing bells since 1570, is now in danger of being made into a hotel. Had she signed the petition? Of course she had.

I asked Chris about Oranges and Lemons. I had been listening out for it. Did they ring it? Had I missed it?

“No, there’s a different set of bells, called a carillon, that rings that. It’s rung at six o’clock by an automated system.”

I went back at six and was delighted to hear the familiar melody sounding above the riot of rush hour traffic, a clip clopping horse-drawn cab, a helicopter overhead, motor bikes roaring, car horns blaring and a bit of shouting in the street!

Music by the Thames

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At the edge of the water, at London’s Trinity Buoy Wharf, I came across what I thought was an old bell. There are actually two bells: one is hanging down above the water and the second is inverted on top of it. A rod attached to the clapper goes through the centre into the Thames. It’s close to an old lighthouse and a lightship, near to the yard where they used to mend the marker buoys that dot Britain’s coastline. Some of those buoys were fitted with a bell which sounded when waves bobbed against them. I thought perhaps this was an old warning bell for sailors as, every now and again, when the waves sloshed against the clapper-rod, it rang with a resonant tone like a soulful church bell.

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Then I noticed the information board.  It is actually a contemporary musical art installation that works by using the waves to strike the bell. ‘Tide Bell’ was designed by sculptor Marcus Vergette and design engineer Dr Neil McLachlan. “The bell is rung by the river to mark each high tide, and uniquely, from just one strike, sounds different notes one after the other to form a rich melody.” It is one of series of such bells placed around the UK coastline, part of Marcus Vergette’s ‘Time and Tide’ project, which aims to raise awareness of climate change. Rising sea levels caused by global warming will change the sounds created by the bells. So it is a warning bell … for us all.

It is just one of the sculptures found at Trinity Buoy Wharf where a thriving arts community can be found working in the old brick buildings and in shipping containers which have been converted into studios.

Further along the wharf, I found a second art piece which also creates music powered by the waves of the Thames. ‘Floodtide’ was created by Andrew Baldwin and John Eacott and it makes music determined by the tide. A sensor submerged from the pier at Trinity Buoy Wharf reads tidal flow and that data is converted into musical notation that can be read from screens by musicians.

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I like the look of the sculpture against the surrounding buildings and I imagined I could hear music. I thought there were some tapping sounds and chords emanating from it but the waves, the boats and nearby building works were creating a music of their own so I am not sure.

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If you go to the Floodtide website you can find out more about the music created by the tide. There is an archive of recordings of past performances and you can even download the live score and play along.

Handel may have created Water Music to be played on the River Thames but here you can play Water Music created by the River Thames!

 

Another Wind-up?

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Gramophone, Hanbury Hall

I came across this beauty in a large Georgian stately home that is open to public and run by the National Trust. I couldn’t help but admire the vibrant green loudspeaker: it’s like a curious, giant leaved plant, sitting there, on the corner table. There was pile of 78s, the winding handle was all set up and a record was waiting in place on the turntable.

No doubt the occupants of the house during the early 20th century would have listened to music on this gramophone. Did they have parties with dancing or musical evenings listening in contemplation?